Winslow Homer: Death of the Artist 

Winslow Homer was born in the February of 1836 in Boston, Massachusetts. Painter Homer was blown away by nature’s vast beauty and sought to convey that feeling through his brilliance and expressiveness of brushwork. In his paintings, nature’s power is both great and eternal, and it doesn’t care about the procedures of human life. The rough style of Winslow Homer’s last years was not a mistake; it was a characteristic of his work. Learn about Winslow Homer’s exceptional career. 

The Death of Winslow Homer 

The legacy of artist Winslow Homer is vast, from depictions of warriors to seascapes. Homer joined the American canon nearly as calmly as he entered the profession of art, despite being as intentional.  

The cause of Winslow Homer’s death is not widely known. He died on September 29, 1910, at 74, but the specific cause of his death has not been widely reported. Some sources suggest that he may have died of heart failure or kidney disease, but there is no concrete evidence to support these claims.

Childhood and Education

Henrietta Benson Homer, Homer’s Mom, was an enthusiastic watercolor artist who taught her artistic son the fundamentals of her craft, forging a lifelong link between them via their shared appreciation of the arts. His father, on the other hand, Charles Savage Homer, was a businessman. However, he encouraged his son to pursue his artistic interests.

Additionally, when Winslow was 19 years old, his father arranged for him to undertake an apprenticeship with a friend and prominent Boston lithographer named John H. Bufford. Homer subsequently describes this time in his career as a “treadmill existence.” When he was finally done with his training in 1857, he vowed never to work for anybody else ever and opened his studio in Boston.

Early Career

Homer was first exposed to the harsh realities of the Civil War via his work as an artist. A turning point in Homer’s development as an artist and person occurred when Harper’s Weekly sent him to the battlefields to report on the fighting six months into the Civil War. He made many trips to the encampment of the Northern armies, where he drew ideas for drawings depicting everything from generic sceneries to chaotic battles.

Homer’s professional pictures, especially those in the series “The Army of the Potomac,” are built on these early drawings and provide a fresh look at the ever-evolving tools of modern warfare (1862).

Homer’s professional pictures, especially those in the series “The Army of the Potomac,” are built on these early drawings and provide a fresh look at the ever-evolving tools of modern warfare (1862).

His 1866 painting, the Prisoners from the Front, made Homer famous and is still one of his best-known paintings to this day; it was inspired by his wartime drawings and was painted after the war. These pieces solidified his reputation as an artist in New York, and he was invited to show at the 1866 Exposition Universelle in Paris. Until 1875, when he decided to devote himself to oil and some of Winslow Homer’s watercolor paintings instead, Homer kept making commercial pieces regardless of his fame.

Mature Period

Homer made the first trips to Europe in 1867, bringing paintings with him. Realist artists like Edouard Manet were featured in exhibitions during the time that the young American was in France. In addition, Homer was considerably influenced by the American 1860s escape technique known as The Barbizon School

On his trip, he would have seen the pre-Impressionist masterpieces of artists like Claude Monet. These artists seemed just as enamored with light as their American contemporaries. Likewise, Winslow Homer’s paintings upon his return reflected a mixture of longing, naiveté, and an American expression of modern democratic ideas.

His writing style has long confused anybody trying to trace a lineage from Homer to earlier masters, and it already irritated contemporary reviewers who called it “incomplete.”  

Homer began painting visuals of rural American life in his own distinctive style, such as a sequence of pieces showing pics of rural school kids managed by youthful educators.

Late Period

Almost all biographers of Homer agree that his trip to England was a turning point in his life, marking the transition from his optimistic younger years to his mature older years when he brought a new level of enthusiasm and purpose to his profession. Winslow Homer frequently depicted working-class characters in his paintings, especially fishermen and women whose livelihoods were separated and unified by the ocean.

Sea was common in the list of Winslow Homer prints. Art scholars call paintings from this era to depict ordinary workers’ everyday heroism because of Homer’s ability to capture the majestic fog-lined coastline while portraying conditions in a dispassionate manner.

Homer returned to the US and kept showing his artwork in New York, but he never settled there. He spent over a year at Cullercoats for isolation. The environment of Prout’s Neck was suitable for him.

The watercolorist frequented the isolated area for nearly a decade before eventually deciding on Prout’s Neck. Homer set up his studio in the carriage house attached to his brother’s primary home, from where he had a beautiful panorama of the ocean beyond the high cliffs.

Some of his most well-known compositions from this time frame may result from a solitary and peaceful lifestyle.


This painter’s influence can be seen in the work of later 19th-century and early 20th-century American painters like Norman Rockwell, who depicted similar lighthearted and joyful elements. 

Throughout Homer’s compositions, people were there, sometimes going about their daily lives and engaging in more exciting activities. Some of his most impressive works depicted the stark contrast between man and the powerful ocean.